It has a pretty simple slogan: The Man Booker Prize promotes the finest in fiction by rewarding the very best book of the year.

A fact about Lisa Moore: I am not sure if there is another writer who can touch her elegant, evocative sentence-level writing.

So it all lines up, right?

Today in London, the Booker Prize Foundation released its annual “The Booker Dozen” longlist. Newfoundland’s Lisa Moore is on it. Interestingly, the winner is chosen by an international judging panel chosen by the advisory committee of the Man Booker Prize: they meet  and chat a few times … in different parts of the world. Consideration is given to an author’s overall contribution to fiction “on the world stage. In seeking out literary excellence, the judges consider a writer’s body of work rather than a single novel.”

The Man Booker Prize is hands down one of the world’s most prestigious literary awards, and its cash prize weighs in at £50 000. It also sells books by the barrel, as much or more than most other literary awards. Look what it did for its 2009 winner, Hilary Mantel’s Wolf Hall. That book was pretty well falling out of the sky last year, wasn’t it?

Newfoundland poet and Fiddlehead poetry editor James Langer recently won the prestigious Gerald Lampert Award for his debut collection Gun Dogs (Anansi, 2009), an award that recognizes the best first book of poetry by a Canadian poet.

Langer was up against some great company, including Kate Hall’s The Certainty Dream and Soraya Mariam Peerbaye’s Poems for the Advisory Committee on Antarctic Names.

The 2010 jury – Barbara Pelman, David Seymour, Sheri-D Wilson — had this to say about Gun Dogs.
“Gun Dogs by James Langer, is a remarkable debut collection. The temptation is to quote huge pieces of these poems, to show off Langer’s dexterity with language, its “thrust and load and drag,” the cleverness of “Half Full,” the intimacy of voice in “Home Suite,” the accomplished play on the Anglo-Saxon poem “Seafarer.” The poems in Gun Dogs range in style from free verse to blank verse to sonnet, quatrains and couplets. Their subject matter is the get-down-and-dirty of ordinary life on the backroads, the bars, the trout-filled rivers and open sea as well as the urban landscapes. Yet there is the whole history of the poetry tradition in these poems: metrical rhythms mixed with references to Pound and F.R. Scott, Ondaatje and Dante. Here is a poet who is sure of his craft, and whose work it is a pleasure to reread again and again.”

Dubbed a “spectacular mouthful” by The Globe & Mail, Gund Dogs has been very well-received. Click here to buy Gun Dogs now

Here is a sample poem, “Thug and Gull,” courtesy of Anansi’s website.

http://anansi.ca/assets/audio/langer_gundogs3.mp3

The Canadian Authors Association Literary Awards were handed out last night in BC. The CAA Literary awards reward “writing that achieves exellence without sacrificing popular appeal.”

Michael Crummey’s Galore  won the $2,500 MOSAID Fiction award, over Annabel Lyon’s The Golden Mean and Ian Weir’s Daniel O’Thunder.

Tom Dawe’s poetry-art collaboration with Gerald Squires, Where Genesis Begins, won the $1000 CAA Poetry award, over Joan Crate and Susan Musgrave.

Full list of winners: http://www.canauthors.org/awards/winners.html

The Canadian Authors Association released its shortlists for its many awards today, and winners will be announced at the CAA Literary Awards banquet on June 26, 2010,  in Victoria, BC during the association’s 2010 CanWrite! Conference June 24–27. The shortlisted authors will be invited to read from their work on Friday, June 25 at Harbour Towers. Full shortlist lists here: http://www.canauthors.org/awards/shortlist.html

Mosaid Award for Fiction

Michael Crummey’s Galore is up for the Mosaid Award for fiction (alongside Annabel Lyon (The Golden Mean) and Ian Weir (Daniel O’Thunder)).

CAA Award for Poetry

Tom Dawe’s Where Genesis Begins is up for the CAA Award for Poetry. This is more than a poetry book, it is also a nicely done art book, as it is a collaboration between Tom and artist Gerald Squires. Read more here.

CAA/Bookland Press Emerging Writer Award

Chad Pelley and Jesse Ferguson are up for the emerging writer award. Chad for his debut novel, Away from Everywhere, some short fiction, and this literary blog, Salty Ink, and Jesse for his poetry, work at The Fiddlehead, and his great collection, Harmonics.

The 2010 Libris Awards were presented  last Saturday night at the Delta Toronto Airport West Hotel, and hosted by CBC Radio One’s Shelagh Rogers.

Nova Scotian bookstores Woozles Ltd and BookmarkII took home specialty bookseller of the year and bookseller of the year respectively. 

Linden MacIntyre a Double-winner

Linden was the night’s only double-winner, taking home the Fiction Book of the Year award for his Giller-winner, The Bishop’s Man, as well as Author of the Year award, which honours “outstanding literary work and a contribution to Canadian culture and support of the bookselling industry.” 

Publishers of the Year

For a complete listing of all awards: click here.

Congrats to Anansi for taking the Publisher of the Year award once again. (They gave us books like February, Mole, and Gun Dogs in 2009) and to Coach House Books for winning Small Press of the Year. (They gave us Amphibian in 2009.)

Watch the  full CBC Summary here: http://www.cbc.ca/video/#/News/Canada/NL/Web_Exclusive/ID=1484033988

Each year, the Newfoundland & Labrador Arts Council awards artists — writers, visaul artists, musicians, etc — in three categories: Emerging Artist of the Year, Artist of the Year, and Arts Educator of the Year. They also induct artists into their Hall of Honour.

This year, three writers were recognized by the NLAC Arts Awards. Last night, at the Lawrence O’Brien Arts Centre in Happy Valley Goose Bay, CTV’s Seamus O’Regan hosted the event, with performances by: Andy Jones, The Montagues, Laura Battock, and The Inosuttuit Nippingit Drum Dancers.

CBC Emerging Artist of the Year: Chad Pelley. Chad is an award-winning and anthologized writer from St. John’s, Newfoundland, and sits on the board of directors at the Writers’ Alliance of Newfoundland & Labrador. His debut novel, Away from Everywhere (2009), was a Coles bestseller and a most-requested title at Chapters in St. John’s. It also made its way onto several “Best of 2009” lists and The National Post’s Canada Also Reads longlist. A month after the book was released, Atlantic Books Today included him in their feature article “The Next Wave: Five Atlantic Canadian Authors to Watch for.” A sizeable wave of positive reviews have all focussed on the emotional intensity of the novel, and the attention to detail in his writing. Most recently, his short story “Holes to China” won the 2009 Cuffer Prize. As of 2010 he is represented by the Anne McDermid Agency. He also runs Salty Ink.com: A Spotlight on Atlantic Canadian Writers.

Hall of Honour Inductee: Helen Fogwill Porter. Hailed by Bernice Morgan as “Newfoundland’s Roddy Doyle,” Helen is best known for her novel January, February, June or July (winner of the Canadian Library Association Award, and shortlisted for the WH Smith/Books in Canada First Novel Award). She has been well-received in every genre: fiction, non-fiction, poetry, humour, drama, and criticism, however, and her output includes a much-acclaimed memoir Below the Bridge, a collection of shorts, A Long and Lonely Ride, and some award-winning poetry + a collection, Blood and Water. Her most recent novel is Finishing School. More importantly, Helen has done much to bolster the writing scene in Newfoundland, long before Newfoundland was considered, as it is today, the country’s richest pool of literary talent. She’s done much to pave the way and is remarkably supportive of new writers.

Rogers Arts Achievment Honour: Des Walsh. Walsh, a poet, musician, and playwright, is perhaps best known for his screenplay adaptations of Random Passage and this year’s adaptation of his own book of poetry, Love & Savagery. He was the 2001 and 2003 playwright-in-residence at the Playwright’s Workshop in Montreal and at Memorial University’s Grenfell College in Corner Brook, respectively. He also co-wrote the acclaimed miniseries The Boys of St. Vincent, which garnered him a Gemini, a New York Festival Award, Italy’s Umbria Fiction Award, and Best Series at Cannes International TV Festival. 

Watch the Book Trailer for Chad Pelley’s Away from Everywhere:

Watch the movie traielr for Des Walsh’s Love & Savagery:

For a complete summary of the winners, including the non-writer winners, see: http://www.cbc.ca/canada/newfoundland-labrador/story/2010/05/02/arts-awards.html

SR. Short Fiction Contest Winners (88 entries /Judges: Michael Crummey and Shoshanna Wingate / Prizes 1000$ each)
Ian Foster for “A Large Crowd Gathers for the Deceased Jeff Elliot’s Encore Performance”
Karen Rowe for “Deepest Harbour”
Catherine Hogan Safer “Joe’s Story”
Leslie Vryenhoek for “Tick”
Aimee Wall for “Thaw”

Senior Poetry Contest Winners (111 entries /Judges: George Murray & Stephen Rowe/ Prizes 1000$ each)

Jacob Bachinger for “Slow Life”
Marlene Creates for “The Very First Thing”
Randy Drover for “Stew”
Grant Loveys for “Flame Bay”
Kristopher Pittman for “Innisfree”
Susan Rendell for “Bridegroom After the Wedding”

Winner of the Percy Janes First Novel Award (Judged by Michelle Butler-Hallett, prize of 1,500$)

Melanie Oates for her novel, Hanging from the Ceiling.

* Past winners of the percy Janes First novel award include: Joel Thomas Hynes’ Down to the Dirt, Sara Tilley’s Skin Room, and Jeff Rose-Martland’s Game Misconduct.

Non Fiction, Judge: Jon Tattrie

1st – “The Pentecostalist Wedding,” Noeline Bridge, Moncton, NB
2nd – “A Deaf Sense of Smell,” Jessie Carson, Almonte, ON
3rd – “Les Pierres de Paris,” Elaine Amyot, Dieppe, NB

“The Pentecostal Wedding is a great, high-energy story that captures the wedding better than any video camera ever could. It starts in a whirlwind of activity and keeps up the manic pace right to the end, giving a feel for an emotionally and physically stormy, wild day. The wedding guests come across as giddy, almost crazed, and you can feel the narrator being pulled back into that world, but resisting.”

Individual Poem, Judge: Shoshanna Wingate

1st – “The Carnage” Nancy King Schofield, Grand Barachois, NB
2nd – “Crow Impressions” Edith Miller, Fredericton, NB
3rd – “Upon Leaving the Branch,” Debbie Okun Hill, Camlachie, ON

“[The Carnage] slips between a storyteller’s distance and a witnesses’ remembrance. It gains its strength from the marriage of the two. And yet “Carnage” also weaves in language reminiscent of our favorite myths, and so the story is given a dreamlike quality, a rhythm that suggests we are allowed, even expected, to hang our realist’s hat on the hook at the door and are welcomed in to sit at the fire and listen to a strange tale about ourselves.”

Short Fiction, Judge: Steven Mayoff

1st – “The Weaver,” Roger Moore, Island View, NB
2nd – “Incomplete,” Chuck Lovatt, Carroll, MB
3rd – “Puzzles,” Paul Healey, Rothesay, NB
HM- “The Pellet Gun,” Paul Healey, Rothesay, NB

“In [The Weaver] the cultural and economic divisions between a tourist and an aboriginal weaver are bridged through the weaver’s craft. The author employs concise and evocative prose that seems in itself to unfold like a tapestry. A skillful balance between poetic imagery and political reality keeps the reader engaged at all times.”

Writing for Children, Judge: Noreen Smiley

1st – “The Afterthoughts at Christmastime,” Paul Rowe, St. John’s, NL
2nd – “Skink on the Brink,” Lisa Dalrymple, Fergus, ON
3rd – “Rosella’s Messy Room,” Judy Stoddart, Winnipeg, MB
HM – “The Promise,” Wendy Kitts, Moncton, NB
HM – “Trixie, Who is Wonderful,” Harriet Zaidman, Winnipeg, MB
HM – “K.C. The Super Sleuth: The Cat that Swallowed the Canary,”
Kelly Trevors Picard, Quispamsis, NB

“[The Afterthoughts at Chistmastime] is steeped in nostalgia, embracing the reader like a warm familiar blanket. A fine attention to detail captures a time and place when life was more innocent and when sledding in the dark was full of magic. The writer deftly offers up one strong image after another, slowly building a picture of this loving and slightly eccentric family and managing to pull off a satisfying and quite perfect ending.”

David Adams Richards Prize, Judge: JoAnne Soper-Cook

Winner – “The Meaning of Children,” Beverly Akerman, Montreal, QC
HM – “The Burning Bush and Other Stories,” Laura M. Robinson, Kingston, ON
HM – “Black Ice,” Noeline Bridge, Moncton, NB

“The author [of The Meaning of Children] shows a keen, incisive vision into the hidden world of children as well as intimate knowledge of the secret spaces that exist between the everyday events of life. There is knowledge here, knowledge of those important, life defining moments of puberty, the birth of a sibling, an encounter with a possibly dangerous stranger. Overall, a work with a brilliant sense of story.”

Alfred G. Bailey Prize, Judge: Mark Callanan

Winner – “The Wailing Machines,” Rob Taylor, Vancouver BC

“The poems here, whether celebrating small moments of tenderness and intimacy, or contemplating the horrors humanity so often visits upon its own, seem to answer the question posed by Mary Oliver in an epigraph that adorns the first section of this book: “how to love this world.” The answer is to find the primal, animal energy that animates our race, and to reflect back to us that energy so that we can more clearly see ourselves, in all our beauty and in all our ugliness.”

Presented every second year, The Downhome Fiction Award, sponsored by The Downhome and jointly presented by the Writers’ Alliance of Newfoundland and Labrador and the Literary Arts Foundation of NL, this award selects from two years of fiction titles by Newfoundland authors. This year’s shortlisted fiction titles really showcase the sheer range of talented writers in this province. Kenneth J. Harvey is an always absorbing very diverse international literary superstar who  explores all facets of fiction: straight-up literary fiction in one book, like Inside, or something more genre-blending, like The Town That Forgot How to Breathe, or his own narrative invention, as in Blackstrap Hawco: a “transcomposite narrative.” Jessica Grant (my favourite literary discovery of the year) might well be the freshest, most distinctive and original voice in the country, and CanLit icon Lisa Moore is the best barebones, sentence-level writer in the country.

From the shortlist press release:

Kenneth J. Harvey’s Blackstrap Hawco – “A powerful and frankly told epic about working class survival, which traces the history of the Hawco family as it intertwines with the ubiquitous calamity of life in Newfoundland.”

Jessica Grant’s Come, Thou Tortoise – “An offbeat story featuring an opinionated tortoise and an IQ-challenged narrator who find themselves in the middle of a life-changing mystery.”

Lisa Moore’s February – “A moving portrait of how one woman reconstructs a life, after the sinking of the Ocean Ranger steals her husband”

Each year, the Newfoundland & Labrador Arts Council awards artists — writers, painters, musicians, etc — in three categories: Emerging Artist of the Year, Artist of the Year, and Arts Educator of the year. They also induct artists into their Hall of Honour. The process: Members from the community nominate artists, and then the Arts Council board chooses a shortlist.

This year, three writers were recognized by the NLAC Arts Awards. Shortlists were revealed today, and the award ceremony will take place on May 1st at the Lawrence o’Brien Arts Centre in Happy Valley Goose Bay. Tickets 20$, host: CTV’s Seamus O’Regan, with performances by: Andy Jones, The Montagues, Laura Battock, and The Inosuttuit Nippingit Drum Dancers.

The Emerging Artist of the Year shortlist – a record number of nominations this year: Writers Chad Pelley, Dale Jarvis (and musician/visual artist Allan Ricketts). Click here to read more about Chad Pelley. Click here to read more about Dale Jarvis.

Hall of Honour Inductee: Helen Fogwill Porter. Hailed by Bernice Morgan as “Newfoundland’s Roddy Doyle,” Helen is best known for her novel January, February, June or July (winner of the Canadian Library Association Award, and shortlisted for the WH Smith/Books in Canada First Novel Award). She has been well-received in every genre: fiction, non-fiction, poetry, humour, drama, and criticism, however, and her output includes a much-acclaimed memoir Below the Bridge, a collection of shorts, A Long and Lonely Ride, and some award-winning poetry + a collection, Blood and Water. Her most recent novel is Finishing School. More importantly, Helen has done much to bolster the writing scene in Newfoundland, long before Newfoundland was considered, as it is today, the country’s richest pool of literary talent. She’s done much to pave the way and is remarkably supportive of new writers.

Jessica Grant is riding a tidal wave of recognition this month: she was shortlisted for the Amazon.ca first novel award a few weeks ago, won The National Post’s Canada Also Reads Competition last week, and this week she won the prestigious Winterset Award. And might I point about that before any of this: Salty Ink made Come, Thou Tortoise its featured book of the month. In other words: Salty Ink saw all of this month’s hype coming (i.e trust Salty Ink’s featured books). Read that feature article here.

If the Winterset award isn’t the most flattering award a Newfoundlander can win, it’s at least a career-affirming pat on the back, not only because the mandate states “the over-riding consideration will be excellence in writing,”  but because all genres are considered. In other words, whoever wins the Winterset award wrote THE best book by a Newfoundlander that year, according to a well-diversified jury.

On March 24th, Grant was awarded the five thousand dollar award, and the two other shortlisted authors – Michael Crummey for Galore and Lisa Moore for Febraury — recieved a thousand dollars each. Mega novels. All three of them. An amazing year to have won the Winterset, and my God does Jessica deserve such recogniton. As mentioned in last week’s post about Jessica: unique and original are over-used adjectives, and yet in Grant’s case, don’t quite do her justice. Come, Thou Tortoise is a book you’ll never forget and nothing like anything you’ve ever read. How many books can you honestly say that about? Again, click here to read Salty Ink’s feature article on Come, Thou Tortoise.

International in scope, The Commonwealth Writers’ Prize is one of the most well-regarded fiction prizes in the world. They are awarded each year by the Commonwealth Foundation, and start with regional shortlists, and then regional winners for best book and best first book, followed by the unveiling of the “overall” best book and best first book for all world regions. In addition to £10,000, the recognition, and countless booksales, the overall winner of the Best Book Prize is invited to London to schmooze with Queen Elizabeth II . The award’s mandate is to “encourage and reward the upsurge of new Commonwealth fiction and ensure that works of merit reach a wider audience outside their country of origin.” The ”overall” winner will be announced on April 12th.

This Year’s Shortlist (click the book’s title to read more on that book):  Ray Guy’s Ray Guy: The Smallwood Years, Randall Maggs’s Nightwork: The Sawchuk Poems, George A. Rose’s Cod: The Ecological History of the North Atlantic Fisheries, and Agnes Walsh’s Going Around with Bachelors.

The award will be presented at the Water Street Book Club on Thursday, April 1, 7:00 p.m., at The Heritage Shop on Water st. 

The Water Street Book Club event on April 1st will feature By the Rivers of Brooklyn by Trudy Morgan-Cole. Nice event double up, hey?

*** For A Chance To Win A Copy of Migration Songs: Email your Mailing Address to chad@saltyink.com
or Leave Your Mailing Address as a Comment Below! ***

Free Book Contest Closes March 15th.

Big congrats to Invisible Publishing, top-notch designer by Megan Fildes, and Sydney Smith (artwork)

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As much as I love good book design, we all know you can’t really judge a book by its cover. I thought it was a clever competition title and a fun way to showcase some books, but I’m glad, after a thousand votes, that Migration Songs won this competition, because as the cover suggests: this book is something different, and something good. It’s clear in the opening lines that Anna is an impressive writer, and her debut shows great promise. There is wit, humour, sadness, sincerity, compassion, and humanity in these pages. Most impressively, there is a true originality in her descriptions, they are fresh, informative, and distinctive; there is nothing dull about how she portrays things, and she provides handfuls of laugh-out-loud passages.

And watch this title reveal I believe the designer might have borrowed from:

“For so long, it was my parents’ story that gripped me, overshadowing my own. My life has always been merely a tendril off the vine of theirs, creeping toward the sunshine. It never bothered me to be a sideshow, an afterthought. But something calls to me from the future — a bird sound, like that of geese in flight, faint but insistent — a song of remembering, pushing out feathers I never knew were mine.”

We meet the story’s main character, Joan, as a 29 year old schoolbus-driving cough drop junky who’s cherry-flavoured Halls sooth her more than her shrink can. She’s moved back in with her parents. She’s anxious, lost, and looking for where she belongs.

“I was so nervous the first day when the kids piled in that I downed 3 Halls in 15 minutes, sucking at them until my cheeks ached, and my tongue went numb.” Feeling that the children were “too perishable to be transported in a rickety old bus with maroon vinyl seats by someone of my undependability.”

At its core you might call it a book about identity, a needing to know where you come from, a meditation on belonging. In fact, a good portion of the novel is a literal explanation of how Joan came to be: a 65-page-long retelling of her parents history and courtship “that was, of course, in the first days of their courtship before their hearts became deaf to one another. Before they were like two fish swimming in tanks side by side — they could see one another but, for all intents and purposes inhabited separate oceans.” While the 65-page dip into her parents’ story was arguably the strongest plotline in the novel, the writing really shines when Quon gets to Joan’s story, where she’ll just drop the occasional paragraph-long passage so remarkable that you stop and read it twice to marvel at the writing itself. She cuts characters out well too. “My father is Englishman with the black hair and blue eyes of an Irishman … he’s been in Canada since I was born but he still refuses to sing ‘Oh Canada’ or pledge allegiance to the queen — he’s anti-monarchy.” And “the fact that he even has a study in this day and age is a clue to what kind of man he is. Private. Retiring. Well-read. On special occasions, he smokes a cigar in there and the smooth scent of it creeps out from under the study floor. The aroma of my father’s absence.”

Again, tying into the design of the book, there are some well-worded bird analogies or metaphors woven throughout the whole novel, which allude to their sense of community or rituals that Joan doesn’t have. How she chooses to see and depict birds, at any given moment in the novel – trapped within a tree or flying free – seems to be a reflection of how she feels in that moment. Joan spends a great deal of time in some sort of fond jealousy of birds, in between the cough drop popping.

For a chance to win this story sad-funny story of a cough drop addict looking for her flock: email your mailing address to chad@saltyink.com or leave it as a comment below.

Last night, at the Palais Royale Ballroom in Toronto, Randall Maggs was presented with the $25,000 Kobzar Literary Award for Night Work: The Sawchuk Poems. Night Work has to be one of the most crtically acclaimed and awarded books of Canadian poetry in the last fews years, and is a book about Sawchuck, the charismatic  man, as much as it is a book of “hockey poems.”

Other accolades for Maggs’s Night Work:

- Winner of the 2009 Winterset Award

- Winner of the 2009 E.J. Pratt prize for Poetry

- A Globe and Mail  “Top book of 2008.”

- Randall has read at over 10 esteemed festivals, such as Thin Air: Winnipeg International Writers Festival, WordFest: Banff-Calgary International Writers Festival, Stephen Leacock Festival, and, Writers at Woody Point.

- “An unlikely a pairing as you will ever see, Newfoundland scribe Randall Maggs skillfully marries hockey and poetry into one of this year’s literary masterpieces.” – Stephen Clare, The Chronicle Herald

Click Here to Read More About This Novel At Her Publisher’s Website.

Click Here to Read Salty Ink’s Featured Book of the Month Article on Come, Thou Tortoise

Joseph Boyden, Priscila Uppal, and Hal Wake are this year’s judges, and the winner, announced in April, will be presented with $7,500, and the other finalists get a $750 gift certificate for Amazon.ca. The Quill & Quire’s Stuart Woods selected the six finalists.

Full Shortlist:
No Place Strange by Diana Fitzgerald Bryden (Key Porter Books)
Come, Thou Tortoise by Jessica Grant (Knopf Canada)
The Golden Mean by Annabel Lyon (Random House Canada)
Goya’s Dog by Damian Tarnopolsky (Hamish Hamilton Canada)
 Diary of Interrupted Days by Dragan Todorovic (Random House Canada)
Daniel O’Thunder by Ian Weir (Douglas & McIntyre)

Watch the YouTube video below to hear Jessica discussing her truly unique gem of a novel.

This Year’s Shortlist: Michael Crummey’s Galore, Jessica Grant’s Come, Thou Tortoise, and Lisa Moore’s February

Synopsis and Selected Praise for Michael Crummey’s Galore

From the publisher’s website: An intricate family saga and love story spanning two centuries, Galore is a portrait of the improbable medieval world that was rural Newfoundland, a place almost too harrowing and extravagant to be real. Propelled by the disputes and alliances, grievances and trade-offs that bind the Sellers and Devine families through generations, Galore is alive with singular characters, and an uncommon insight into the complexities of human nature.

- Shortlisted for the 2009 GG Award.

-  Currently on the Atlantic Independent Booksellers’ Choice Award shortlist.

- Currently on the Thomas Head Raddall Atlantic Fiction Award shortlist.

- Currently on the Commonwealth Writers’ Prize shortlist (Canada and Caribbean Region)

- Easily the most critically well-received novel out of Atlantic Canada this year, or, in years?

Synopsis and Selected Praise for Jessica Grant’s Come, Thou Tortoise

From the publisher’s website: A delightfully offbeat story that features an opinionated tortoise and an IQ-challenged narrator who find themselves in the middle of a life-changing mystery. Audrey (a.k.a. Oddly) Flowers is living quietly in Oregon with Winnifred, her tortoise, when she finds out her dear father has been knocked into a coma back in Newfoundland. Despite her fear of flying, she goes to him, but not before she reluctantly dumps Winnifred with her unreliable friends. Poor Winnifred.

- A Globe & Mail Book of the Year

- Currently in The National Post’s Canada Also Reads Competition.

- “One of those rare books that manage to entwine humour – in this case, even outright silliness – with poignant insight and a captivating plot.” – Quill & Quire.

And, most importantly: Salty Ink’s Featured Book of the Month for March, click here for that article.

Synopsis and Selected Praise for Lisa Moore’s February

From the publisher’s website: In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine’s Day storm. All eighty-four men aboard died. February is the story of Helen O’Mara, one of those left behind when her husband, Cal, drowns. It begins in the present-day, but spirals back again and again to the “February” that persists in Helen’s mind and heart.

- Currently shortlisted for the Commonwealth Writers’ Prize (Canada and Caribbean Region)

- Named as one of Quill & Quire’s “Fifteen Books That Mattered” in 2009.

- A Globe and Mail Top Book of 2009.

- And most importantly, was Salty Ink’s featured book in February, click here to read that article

* The winner will be announced at Government House Thursday, March 25.

The awards involving fiction and poetry are listed below.

Click a title to read more about that book.

Thomas Head Raddall Atlantic Fiction Award 

This prestigious award is for “the best work of adult fiction published in the previous year by an Atlantic Canadian Writer,” and is awarded by Writers’ Trust of Canada and the Writers’ Federation of Nova Scotia.

This year’s shortlist, and big congrats to: Michael Cummey’s Galore, Linden MacIntyre’s The Bishop’s Man, and Shandi Mitchell’s Under This Unbroken Sky.

Margaret and John Savage First Book Award 

This award is “the best first book of fiction or non-fiction published in the previous year by an Atlantic Canadian author.”

This year’s shortlist, and big congrats to: Binnie Brennan’s Harbour View, Greg Malone’s You Better Watch Out, and Shandi Mitchell’s Under This Unbroken Sky.

Democracy 250 Atlantic Book Award for Historical Writing 

Brand new this year, this award ”recognizes an author (or authors) who excels at illuminating the Atlantic region’s vibrant history and acknowledges the work of the publisher who makes the book available.”

This year’s shortlist, and big congrats to: Raoul R. Anderson and John K. Crellin’s Mi’sel Joe: An Aboriginal Chief’s Journey, Greg Cochkanoff and Bob Chaulk’s SS Atlantic: The White Star Line’s First Disaster at Sea, and Mike Heffernan’s Rig: An Oral History of the Ocean Ranger Disaster.

  Dartmouth Book Award (Fiction)

 Awarded to ”the best books published the previous year in celebration of Nova Scotia and its people.”

This year’s shortlist, and big congrats to: George Elliott Clarke’s I & I, Linden MacIntyre’s The Bishop’s Man, and Anna Quon’s Migration Songs.

Atlantic Poetry Prize

Awarded to ”the best work of poetry published in the previous year by an Atlantic Canadian poet.”

This year’s shortlist, and big congrats to: Anne Compton’s Asking Questions Indoors and Out, Tonja Gunvaldsen Klaassen’s Lean-To, and Zachariah Wells’ Track & Trace.

Atlantic Independent Booksellers’ Choice Award 

“A Call For Nominations is sent out to members of the Atlantic Independent Booksellers’ Association, asking for their top three books. The three most-nominated titles make up the shortlist, which is then sent out to the booksellers to vote on.”

This year’s shortlist, and big congrats to: Michael Crummey’s Galore, Linden MacIntyre’s, The Bishop’s Man, and David Adams Richards’ God Is.

APMA Best Atlantic-Published Book Award

“The Best Atlantic-Published Book recognizes publishing companies and their hardworking professionals who bring out new books each season. Each year, a publisher whose book possesses the best balance of content, presentation, quality of design and production, as well as contributing the most to an understanding of Atlantic Canada, receives the award.”
 

This year’s shortlist, and big congrats to: Ian Warkentin and Sandy Newton’s Birds of Newfoundland Field Guide, Trudy Morgan-Cole’s By the Rivers of Brooklyn, and David A. Francis and Robert M. Leavitt’s A Passamaquoddy-Maliseet Dictionary. 

- The Winner to be announced on March 5th, Along With a A Chance to Win a Free Copy of the Winning Novel.

- Click Here to Read All About the Competition and See the Longlist.

Migration Songs by Anon Quon (Invisible Publishing, design by Megan Fildes & art by Sydney Smith)

From the Back Cover: Joan is on the brink. Cough drop addict, school bus driver, mixed race daughter of a Maoist English father and a Chinese-Canadian mother, Joan struggles for meaning after a friend’s death reveals a secret life. Migration Songs is a lost letter from your past, an intimate experience full of humour and grace.

“A strong debut from a new hopeful voice.”
Sue Carter Flinn, The Coast

“An engaging tale, peppered with memorable scenes and lovingly drawn characters.”
- Sarah Steinberg, Quill & Quire

The Factory Voice by Jeanette Lynes (Coteau Books, design by Duncan Campbell)

From the Back Cover: The lives and dreams of four vital, engaging, women revolve around mysterious events at a Fort William military aircraft factory in 1941.  Loyalty and betrayal, love and worthiness, friendship and ambition are the themes which connect the characters in this lively, quirky, fast-paced novel.

- A 2009 Globe and Mail “Book of the Year”

- Longlisted for the 2009 Giller Prize.

Hit and Mrs. by Leslie Crewe (Nimbus Publishing, design by Heather Bryan)

From the Back Cover: Linda, Bette, Gemma, and Augusta are four lifelong friends who live in Montreal. This year they’re all going to turn fifty, so they decide to take a trip to New York together (courtesy of Linda’s philandering husband’s Visa Platinum). But at the LaGuardia airport washroom, Bette accidentally switches bags with a young mother who’s actually smuggling diamonds for the mob, and things start going terribly wrong. When they kill an aggressive cab driver with pepper spray, the four friends know this is not going to be the trip of shopping and Broadway shows they’d expected.

“If you’re in the mood for a cute chick-lit mystery with some nice gals in Montreal, Hit & Mrs. is just the ticket.”
- Margaret Cannon, The Globe and Mail

Leslie Vryenhoek

Judges Eric White and Nora Kelly praised “Letitia’s Cold Footsteps,” for its “nuanced exploration of alienation … [it] takes us into the strangeness of arrival in a new country and makes us shiver … a distinctly Canadian poem.”

Even better news: her prize-winning poem, “Letitia’s Cold Footsteps,” is from a poetry manuscript, dealing with “home and belonging,” that she has recently handed over to her publisher. She’s talented, distinctive, and prolific. What more do you want from a writer. Go buy Scrabble Lessons, go!

Lisa Moore & Michael Crummey Make the Six-book Shortlist for “Caribbean and Canada Best Book”

Lisa Moore’s February

- Named as one of Quill & Quire’s “Fifteen Books That Mattered” in 2009.

- A Globe and Mail Top Book of 2009.

- Published, or to be published, in over five countries.

- Click Here to Read Salty Ink’s Feature Article on February

  Michael Crummey’s Galore

- Shortlisted for the 2009 GG Award

  - A National Post/ The Afterword Book of the Year.

- A Globe and Mail Book of the Year.

- Easily one of the best recieved, most talked-about Canadian novels of 2009.

Shandi Mitchell & Carla Gunn Make the Six-book Shortlist for “Caribbean and Canada Best First Book”

 Shandi Mitchel’s Under This Unbroken Sky

- One of Booklist’s Top 10 First Novels for 2009 .

- A Selection for the Barnes & Noble First Look Book Club.

- Published, or to be published, in over five countries.

- “A powerhouse of a debut that grips from start to finish.” —Steven Galloway, author of The Cellist of Sarajevo

Carla Gunn’s Amphibian

- A National Post / The Afterword Best Book of 2009.

-  One of Globe and Mail’s Top Five Debut Novels of the Year.

- A Quill & Quire Most original Voices of 2009.

- Released to countless rave reviews and critical praise. Literally.

Short Fiction
Roger Moore’s “The Key” (Island View, NB)
Mark Jarman’s “The Troubled English Bride” (Fredericton, NB)

Creative Non-fiction
 Jeff Rose-Martland’s “First Call Resolution” (St. John’s, NL)

No Atlantic Canadians on the poetry shortlist, but we’re just taking a break. Halifax’s Sue Goyette won it last year,

Winners will be announced March 22, 2010.

The award, co-presented by the Literary Arts Foundation of Newfoundland and Labrador and the Writers’ Alliance of Newfoundland and Labrador, was established by Brian O’Dea and funded this year by John and Jan O’Dea. From the judges’ adjudication of David Andrews’ West Orange: “Throughout this short story collection, the reader is struck by the intensity of the present moment, and how specific occurrences in one character’s life resonate both with the participant and those on the periphery … Certain images are rendered with such tenderness and precision that they make the reader stop and reread for the pleasure of it.”

Michael Crummey Shortlisted for English Language Fiction

Official GG adjudication: Michael Crummey’s Galore is a gorgeous and mysterious whale of a book – part multi-generational love story, part riff on the Bible, and part tall tale. Spanning several generations in a remote Newfoundland outport, this story is bursting with fantastical events, colourful characters and delicious dialogue. An unforgettable journey.

Janet Russell and Jirina Marton’s Bella’s Tree win for Children’s Literature – Illustration

 Official GG adjudication: “As with text, illustrations should compel the reader to turn the page to see what happens next. Jirina Marton’s illustrations flow; they bring the reader along and add a warm mood to a cold winter’s day. A spirit captured within the pages of this book is set free by the reading.”

Click Here to listen to Janet Speaking with CBC’s Angela Antle about Bella’s tree

Telegram publisher Charlie Stacey (left) chats with 2009 Cuffer Prize winner Chad Pelley of St. John's. Pelley won the $2,000 award for his short story "Holes to China."- Photo by Gary Hebbard/The Telegram

“It’s been a thrilling month! I’ve spent a few years behind a computer typing my life away while the rest of the world is out having fun, but for weeks now I’ve been in a constant state of blissful shock about how well my efforts are being receieved,” Pelley says. “My first novel, Away from Everywhere is being received far better than I anticipated. I’m getting emails from perfect strangers being very specific in their kind words, so you know it’s genuine. To win this award on top of that … it’s priceless vindication and encouragement to keep my writing as my main priority.”

The three judges Pelley was so honoured to be recognized by were acclaimed writers  Kathleen Winter, Russell Wangersky, and Joan Sullivan. “it’s funny,” Pelley said. “I finally wrote something I was satisfied with, stylistically, diction-wise, whatever. And look what happened.”

Click here to read the full article in today’s The Telegram

Click here for more info on the Cuffer prize

Click here to read Holes to China on Chad’s personal blog.

Second Place winner, by the way: Jillian Butler’s “The Fairest Season,” and third place went to last year’s first place winner, Josh Pennell, for “Songs my Grandfather Taught Me.” Chad and Josh have agreed to just swap first and third place every year, as Chad won third place last year …

Seems it wasn’t enough to win the Roger’s Cable Non-fiction Award, or the Drummer’s General Award, and then the B.C National Non-fiction Book Award, or be a Globe and Mail  book of the year. Or to be glowingly reviewed in the Globe and Mail, the Quill & Quire, and the National Post, and convincingly endorsed by Lisa Moore, Michael Winter, Ken Harvey …

Wangersky also took the ten-thousand dollar Edna Staebler Award for creative non-fiction this month.

Coincidentally, I had the pleasure of meeting him tonight. He’s a great man, this is a great book, and Christmas is coming up.

I just plucked this quote off Wilfred Laurier University’s site. It’s more than convincing. “Wangersky’s book offers a crystal-clear portrait of a man who, through his career as a firefighter, becomes addicted to the rush of danger. In a narrative stacked with house fires, car wrecks and various other human tragedies, Wangersky portrays the emotional contingencies and lingering trauma that slowly begin to pull his life apart. This is a powerful book that illuminates the darker natures of those whom we trust with our lives.

Tanis MacDonald, award juror for the Edna Staebler Award, “Burning Down the House is a memoir in the truest definition of the word: a book that explores memory as both a creative and destructive force.”

The Globe & Mail have already declared it a surprise upset (upset is a tad harsh, no?). A surprise it was, but that makes it all the more exciting, right? He acknowledged this himself, declaring it “an accident of consensus,” and went on to gracefully acknowledge the other four finalists, and encourage the world to buy their books. Despite surprising some, the jury were apparently unanimous. According to judge Victoria Glendinning, “The final decision was totally consensual. There was no compromise.”

The jury called his book “a brave novel, conceived and written with impressive delicacy and understanding.”

MacIntyre: “I thought it was time for someone to take a deep look at the impact of sexual abuse on a lot of people, not the least of which are the priests who have to continue to represent this church, in spite of the bad behaviour and deviance of other priests.” He said on stage, as he accepted the award, his main goal in life since twenty was to tell stories. Thanks to the Giller win, his book will be flying off the shelves more than any other this week, likely. Again, The Giller Prize, as mentioned below, is the Canadian book award, as far as media and most are concerned. Sincere Salty Ink congrats to Linden. Go buy his book.

Follow-up: Apperently MacIntyre’s agent, Don Sedgwick, woke up today and there were “literally hundreds and hundreds of e-mails (from) all kinds of publishers who suddenly have to have this book all over the world.” That’s the power of the Giller Prize. “Hundreds” of foreign rights deals. Doesn’t get much better than this.

No other Canadian book award gets the spotlight like the Giller Prize; it is viewed by many as the Canadian book award. It always has a well-rounded, well-regarded jury, but it also offers the largest cash prize of any Canadian book award, and that’s probably why: 50, 000 dollars to the winner, 5,000 to the other four finalists, and, according to The Giller’s website, the prize unquestionably boosts sales.

“Over $60 million dollars in book sales to date have been generated as a direct result of the prize.”

Money aside, it’s about recognition. You get nominated for this award and you’re set, established, vindicated beyond imagination.

About  the book: A deeply wise and moving novel that explores the guilty minds and spiritual evasions of Catholic priests. Father Duncan MacAskill has spent most of his priesthood as the “Exorcist” — an enforcer employed by his bishop to discipline wayward priests and suppress potential scandal. He knows all the devious ways that lonely priests persuade themselves that their needs trump their vows, but he’s about to be sorely tested himself. While sequestered by his bishop in a small rural parish to avoid an impending public controversy, Duncan must confront the consequences of past cover-ups and the suppression of his own human needs. Pushed to the breaking point by loneliness, tragedy and sudden self-knowledge, Duncan discovers how hidden obsessions and guilty secrets either find their way to the light of understanding, or poison any chance we have for love and spiritual peace.