Better Book Titles: The Atlantic Canadian Version

I got a New ARC in the mail a few days ago. A debut novel from CBC’s Jamie Fitzpatrick, called You Could Believe in Nothing

And I thought, what a great title.

And maybe I only thought that because two weeks ago I finally gave my agent a finalized, ready to shop manuscript.

But I’m not happy with the working title: Two Empty Hands

Every song, short, and novel I’ve ever written, the title jumped out. Not this time.

I did some research into titling novels … and thought I’d apply it to appliable-to Atlantic novels, to help and educate you writers and publishers in dealing with title block.


Approach one: Make your title something about a character or a tagline (Applied to:  Jessica Grant’s Come, Thou Tortoise)

Approach 2: For a collection of shorts, refer to a moment in a pivotal story (Applied to: Jessica Grant’s Making Light of Tragedy, and Alexander MacLeod’s Light Lifting)

Approach 3: Ensure Your Title Captures Tone (Applied to: David Adams Richards’ classic, Mercy Among the Children)

Approach 4: Capture the moral point of the novel (Applied to Kenneth J. Harvey’s Inside & Chad Pelley’s Away from Everywhere)

Approach 5: Combine a Character and a key Possession (Applied to: Lisa Moore’s Aligator and Kathleen Winter’s Annabel)

Mixing these tricks to better title this year’s Winterset Shortlisted Titles, Sam Martin’s That Ramshackle Tabernacle, Russell Wangersky’s The Glass Harmonica, and Craig Francis Power’s Blood Relatives

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About Chad Pelley

Chad's a multi-award-winning author, photographer, and closet musician from St. John's.